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World-renowned vocal personality Gary Owens, who gained national fame on TV's "Laugh-In," shares the inside scoop on how to break into the voice business and, once there, how to succeed. Peppered with entertaining anecdotes from well-known actors, producers, and agents, How to Make a Million Dollars with Your Voice offers an irreverent entrée into this often overlooked but lucrative entertainment career. In this step-by-step workshop, voice-over hopefuls will learn about everything from developing a demo to finding an agent to improving their pipes.
- Sales Rank: #1725846 in Books
- Published on: 2004-08-11
- Original language: English
- Number of items: 1
- Dimensions: 8.90" h x .66" w x 5.90" l,
- Binding: Paperback
- 238 pages
From the Back Cover
Parlay one of your most basic natural assets--your voice--into an exciting career in the entertainment industry
In How to Make a Million Dollars with Your Voice, legendary voice artist Gary Owens draws upon his four decades in radio, TV, film, and animation to show you how to break into the voice business and carve out a million-dollar niche for yourself once you get there.
With the help of priceless anecdotes and insider tips from well-known actors, producers, and agents, he gives you the inside track on becoming a successful DJ, newscaster, announcer, sportscaster, commercial or cartoon voice, or other type of voice artist.
Here's everything you need to know about how to:
- Zero in on and promote your vocal talents
- Develop realistic career goals and an action plan
- Produce a demo CD that sells
- Find and land an agent
- Write winning cover letters and resumes
- Ace interviews and auditions
About the Author
Gary Owens skyrocketed to national fame as the announcer on NBC's classic "Rowan and Martin's Laugh-In." Since then, he has appeared on-camera on more than 1,000 network TV shows, has voiced more than 3,000 cartoons (including "Space Ghost and Dino Boy" and "The Ren and Stimpy Show"), and has emceed Emmy and Grammy telecasts. He currently hosts two national radio shows, and he routinely voices more than 1,000 commercial a year. Gary has been inducted into The National Association of Broadcasters Hall of Fame (for both radio and television) and the Radio Hall of Fame, and he has a star next to Walt Disney's on the Hollywood Walk of Fame.
Jeff Lenburg is an award-winning author and celebrity biographer. He has written 30 books, including biographies of Larry Gatlin, Dustin Hoffman, Veronica Lake, Steve Martin, Dudley Moore, the Three Stooges, and others.
Most helpful customer reviews
13 of 14 people found the following review helpful.
How to Make a Million Dollars with Your Book Sales...
By Fifi
This book is padded with a lot of anecdotes--including a liberal amount of name-dropping--from Gary Owens' career. (And it's only a little over 200 pages at that.) If you look forward to reading some of his reminiscences (which admittedly can be amusing at times), then you might enjoy this book. But if you are hoping for much in-depth discussion or expert advice about the voiceover business, it's best to look elsewhere.
It's a shame, really--with Owens' experience and long career, he should have been able to produce a much better "how to" manual than this collection of self-indulgent musings. Although, it seems by his own narrative he came by most of his jobs through serendipity or knowing other people in show business, so maybe he just didn't have that much practical advice to impart to modern voice acting students. Anyway, he should have written a much different book, or at least given this one a title more indicative of the actual contents.
14 of 16 people found the following review helpful.
The master shares his secrets
By Jeff Gehringer
What could be better than an educational book that is hysterical? Gary Owens has accomplished this with his great new book. Not only do you learn the tricks of the trade from one of the greatest voices in the business, but also you'll laugh out loud doing it.
Gary tells the real story of how to break into the voice over business with expert advice. This one book can tell you everything you need.
In addition, you get to experience the star power Gary has accomplished in his career. This book contains stories and pictures about every major star in Hollywood. From Bob Hope to David Letterman, Bill Cosby to Lucille Ball, Gary has worked with them all. Plus, you'll get great insights into the groundbreaking comedy "Rowan & Martin's Laugh In".
Gary Owens has taken us inside the many ways using your voice can make millions. Now, let's see what I have learned.
Place hand over my ear and repeat "Live from Beautiful downtown Burbank! It's Gary Owens great new book". You'll love it!
7 of 7 people found the following review helpful.
How To Make A Million Dollars - If You're Gary Owens
By kingmidasnreverse
I've never met Walt Disney, Larry King, Lucille Ball, Mickey Mantle, Don Rickles, or Bill Cosby. Gary Owens has, though, and he's not at all shy about telling you. In fact, Gary Owens has met lots of incredible people, done many wonderful things, and made vast amounts of money. Good for him. However, those of us interested in finding a single useful piece of advice, the smallest crumb of wisdom, just one quantifiable technique for developing a career in VO work, would be wise to look elsewhere.
This book is an autobiography poorly disguised as a "how to" manual, its chapters positively bulging with self-aggrandizing photographs and anecdotes. Honestly, how is seeing a picture of Gary Owens getting his star on the Hollywood Walk Of Fame going to help me be a better voice actor? Most annoying are the constant lists of talented people Mr. Owens rubs shoulders with. Here is a direct quote: "Recently, Animation magazine, for its fifteenth-anniversary issue, named the 'fifteen top TV voice actors' of all time. Rounding out this prestigious list were Lucille Bliss, Daws Butler, Mel Blanc, June Foray, Stan Freberg, Paul Frees, Don Messick, Gary Owens, Bill Scott, John Stephenson, Jean VaderPyl, Janet Waldo, B.J. Ward, Frank Welker, and Paul Winchell. I'm so happy to have made that wonderful list." Well, congratulations Gary, I'm glad you're happy.
Lists like the one above are frequent throughout the book, often ending with a little bit of faux humbleness from the author expressing his gratitude and good fortune. Occasionally, Mr. Owens seems to remember that this is supposed to be an informative guide, and attempts to proffer some bits of wisdom. In a way, these are the most offensive parts of the book, as they are merely more stories from the author's life dressed up as advice. A particularly painful read was "the Gary Owens Twelve Steps To Superstardom, Success, and Other Big Words Starting with the Letter S" -- oh, and that's a common thread by the way, silly jokes used to cover Owen's lack of practical advice. Included in Gary's list is "Step 4: Know Station Call Letters When Seeking Employment". Seems like common sense, right? Well, it's also a great way to pad out a chapter with yet another goofy story. How about "Step 5: Develop A Great On-Air Personality"? Great advice, absolutely top shelf, goes along great with "Step 8: Have A Sense Of Humor." Perhaps Mr. Owens should have added another step to his list: Write A Completely Useless Book And Advertise It Falsely So It Sells Lots Of Copies And You Can Laugh All The Way To The Bank.
I know I may seem bitter about my experience reading "How To Make A Million Dollars With Your Voice," but I have good reason. Hollywood is a tough town, no breaking news there, and when people who have made it to the top want to offer tips to the rest of us, that's great. But they have an obligation, particularly if they're charging money, to provide good, sound advice, not a trumped up resume. Those who have "made it" know more than anybody that there are hundreds of thousands of people in this town who are desperate for a break, and to take advantage of them by fobbing off nonsense like this is shameful.
So if you're a Gary Owens fan, that's fine, but before you click on "not helpful" in a blind rage after reading my review, take a moment to consider the responsibility that an author assumes when they ask time and money of their readers, particularly when dubbing themselves an expert in their field. What are the implications of that responsibility, and what do they owe their audience? Thanks for reading.
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